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David Tennant was the face of the show when it became a pop cultural phenomenon. Which is a bit of a problem, Davies seems to be writing the specials as the last days of the Tenth Doctor. However, it’s very difficult to thread one single storyline through five disparate and bombastic blockbuster holiday specials. It’s perfectly okay to have a year of “Doctor Who as event television”, particularly when it’s designed as a necessary stopgap. Which brings us to the biggest problem with the specials. Which makes sense, since every single one of them is “event” television. Davies’ Doctor Who tended to move at an accelerated pace anyway, but the specials never seem to stop to find their breath. Even when the special effects don’t quite work (as with the CyberKing in The Next Doctor), it’s clear that this is very much trying be “Doctor Who as blockbuster entertainment.” The episodes all run longer than the standard forty-five minutes, and they are all paced in such a way that they move incredibly fast. They are big in concept and epic in scope. Still, the five episodes function reasonably well as “special” episodes. At the same time, The End of Time feels a lot less festive than any of Davies’ other Christmas Specials, and there’s a sense that they are more about celebrating the end of a particular era than they are about a festive mood.
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And the second part sees the Doctor visiting Rose Tyler on New Year’s Day before Rose, bringing the Davies era a full circle. The set decoration and the dialogue makes that abundantly clear there are references to gift-buying and the Naismith household has a nice tree that’s visible in shot. The two-part End of Time is a bit of an odd man out. Although it broadcast in mid-November, The Waters of Mars is intended as something of a Halloween Special, a much more comfortable fit for a particular breed of Doctor Who. The Next Doctor and Planet of the Dead are very much standard run-around adventures designed for families to watch together after large meals and long days spent in each other’s company. They are basically five holiday episodes of the show, designed to prevent people from losing the taste for Doctor Who. There’s an argument to be made that the five specials produced by Russell T. And this is where the specials don’t really work. They also have to close out what has been a phenomenal era for the show, and wrap up everything in a nice big bow. So these five specials become more than just a way to stop the public forgetting about Doctor Who. These five specials are also the last episodes that will be written by Davies and that will star Tennant. It turns out that these five episodes have to do more than merely “tide” fans over.
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All this, and fans get their prescription dose of Doctor Who and the BBC has the time to upgrade the show so it can broadcast in high definition. Tennant can work with Royal Shakespearean Company, playing the lead in Hamlet. Davies can work on Torchwood in a way that he was never able to find time before, producing the superb Children of Earth. Davies and David Tennant a bit more freedom to stretch their wings. The plan has the added benefit of allowing Russell T. After all, you don’t want fans to forget about the show.
DOCTOR WHO SPECIALS IN ORDER SERIES
Producing a series of Doctor Who specials to tide over the viewing public and keep the show fresh in the public’s mind was a great idea. However, the show runner who brought the show back from the dead and turned it into a highlight of your broadcast schedule, and the beloved lead actor who has become deeply associated with the lead role are willing to do a series of five specials that you can broadcast to fill the gap year. It’ll be a year before the show can get back to churning out thirteen episodes and a Christmas Special. One of their best-loved and most respected dramas isn’t quite ready to make that leap, and will require extensive re-working in order to be sustainable for high-definition broadcast, which seems to be the future of home entertainment. The BBC is in the middle of converting to high-definition broadcast. In theory, the specials were a great idea.